In a
(semi) recent attempt to get
this book from the local library, I ended up with this instead:
Live from New York: An Uncensored History of Saturday Night Live by Tom Shales and James Andrew Miller, a textbook-size oral history of NBC's flagship late-night program
. Shales and Miller are both
journalists, and (especially according to my father) they don't come much better than Shales who won a Pulitzer as a TV critic.
I'll start this review by saying I'm a little biased about the topic - I love
Saturday Night Live. I'm comfortable making this all encompassing statement, and it's gotten me into more than a few arguments over my lifetime. This is
not me saying I've loved every sketch they've ever done; this is
not me saying I've loved every cast member they've ever featured; this
is me saying that as a whole, I love
Saturday Night Live...and I'll get to the details below...but for now, onto the book.
My only complaint about the book (and I'll get this out of the way now) would be the format, which in its own way is quite genius, but I also found it quite exhausting. The entire book is like one long interview; within the book's seven chapters, there are very few author narrated segments - the vast majority of the book is snippets of interviews with the cast, writers, producers, and hosts. The snippets vary in length from one liners, to several pages long. All together, the interviews tell the stories of SNL, spanning from it's humble, cocaine-fueled beginnings in 1975, to the Jimmy Fallon/Tina Fey lead cast of the early 2000s (the book was published in 2002).
The oral history format really lends itself well to this extremely large cast of characters; 30+ years of cast members, writers, hosts, and NBC execs were interviewed as a part of the book. While it is easy to see the consensus, and even themes, throughout the entire text, it wouldn't have been as effectively conveyed if it were in the voice of the authors. So, while I'm sure there are many arguable faults in the format, and even I myself would fight for a few, I don't know any other way to have done it - so we'll move on.
The first two chapters of the book was by far the most interesting. Through the first 200 pages, the surviving members of the Not Ready For Prime Time Players (the nickname the cast members from the first five seasons gave themselves), a handful of writers, and various NBC executives who were overseeing things at the time, talk about those formative years, and what it was like with "inmates running the asylum."
The cast full of egos didn't clash quite as often as you'd imagine; they were, for the most part, too busy sleeping with each other and out all night partying at Dan Aykroyd and John Belushi's bar. But the one ego who seemed to rub almost everyone the wrong way was Chevy Chase. I'm a big
Caddyshack fan, so I know a bit of the behind the scenes feuding that supposedly happened between the movie's two biggest stars: Chevy Chase and Bill Murray. They're actually only in
one scene together because they didn't get along at all. And it all kind of makes sense now.
Live explains that Billy replaced Chevy, who left at the end of the first season, and there was always a bit of bad blood between the two; possibly brought on by, what the book alluded to as, a bit of residual guilt on Chevy's part for leaving the show after the breakout first season; "twenty-three years later, at the unveiling of a Lorne Michaels star on Hollywood Walk of Fame in Los Angeles, Chase would tell a crowd assembled for the event that leaving the show when he did was a mistake - and that he still regretted it."
Through the next five chapters, Shales and Miller guide you through the SNL's hits and misses up through the 2002 season. While the cast's anecdotes and memories are compelling enough to get you through the book, to me the most interesting aspect is Lorne Michaels, SNL's Executive Producer and creator.
Now in his late sixties, Michaels was (according to most people) the driving force behind the creation of SNL in the mid-1970s. He came up with the concept, he hand picked the cast, and he tracked down the writers. He has served as the Executive Producer for every season except '80-'85 (he left the show after 5 seasons to pursue other projects but decided to come back in '85 to save his failing brain child).
Throughout the book, feelings for Michaels are mixed: some call him cold and unappreciative, but the large majority of them referred to him as a mentor, and even a father figure. Host Candice Bergen said "I always felt Lorne was never given anywhere near the fractional credit that he deserved for really having such an impact on our culture and on comedy and on television." In the final chapter (simply titled,
Lorne) writer Andy Breckman says explains his mixed feelings for working for Michaels for so many years, but "if there's one thing you can't fault Lorne for, it's the format of the show and how the show comes together, because more than any other show in the history of television, it's withstood the test of time."
I have always been fascinated with Lorne Michaels and the empire he built out of
Saturday Night Live. He's my "if you could have dinner with anyone..." person, and this book only further cemented fact for me. He has not only produced all but those five seasons, but along the way has had his hand in 10+ SNL character spin off movies (
Wayne's World,
Coneheads, etc.) and a slew of other side projects (he's a consulting producer on Tina Fey's
30 Rock and
Late Night with Jimmy Fallon); not everything he's had his hand in has been wildly successful (i.e.
Wayne's World 2,
Hot Rod).
But my fascination can get over the box office flops, and focuses on the longevity he's had in television success and where he can go from here. In the book, at the funeral of a fellow long-time SNL writer, writer Alan Zweibel reflected, "my mind immediately went to, 'Jesus, if Lorne dies, are we all still going to be able to get together like this? Whose going to throw the party?"
But it of course runs deeper than that; the question is, what happens when it's not Lorne running the show anymore? Will it even get to that point, or will they opt to take it off the air while it's still doing relatively well? Will they close the final curtain while he's still at the helm? Or is there a predecessor in training behind the scenes, but would that person ever be able to fill Lorne's shoes? There's no debate in my mind that if Michaels was no longer at the helm, the show would change - if not by design, then by force. The five years that Michaels was away from SNL were some of the show's lowest ratings in it's history; and while it may be a different story 30 years later, I'm not sure that's a risk the network would be willing to take. It's no secret that he can't go on and do this forever. He's 66 and going to leave the show at some point, but will SNL succeed from there.
This is all a bit off track from the scope of the book itself, but it's the questions I was left with when I got done reading.
Live from New York is almost 10 years old at this point, but the history of the show doesn't change, it just gets more complex as more and more cast members and writers are added to the mix as the year's go on. While I doubt there'd be an updated version coming out anytime soon, I'll sure be keeping my ear to the ground for other books like this about the more recent casts of SNL.
I'll close with two of my favorite quotes from the book. The first is by Lorne, in a passage talking about the rigorous weekly schedule that the show demands, and how some weeks things fall in place, and other weeks things just fall apart. The second quote, which closed out the sixth chapter and would have been fitting as the closing of the book, is the authors' summary of
SNL's impact on society
(not sure it can really be summed up into two sentences, but I think this is the best attempt possible).
"We don't go on the air because the show's ready, we go on because it's eleven-thirty." Lorne Michaels
"Saturday Night Live lives - a part of us, a reflection of us, a microcosm of us. National roundtable, national sounding board, national jester, and inarguably after all these years, national treasure."
PS I added my
"to-read" list onto by blog. If you have any suggestions for me, just let me know